The R-10’s patented offset-ribbon design positions the ribbon element toward the front of the transducer, which allows for high SPL handling on the front (logo) side and the option of a brighter response when recording lower SPL sound sources like acoustic guitar, ukulele and vocals on the backside (3 feet or closer; phase reversed position). The R-10's patented offset-ribbon design positions the ribbon element toward the front of the transducer, which allows for high SPL handling on the front (logo) side and the option of a brighter response when recording lower SPL sound sources like acoustic guitar, ukulele and vocals on the back side (3 feet or closer; phase reversed position). Also from the specifications, the frequency response is quoted as 30Hz to 15kHz with a ±3dB tolerance. Hand-built in our Burbank California factory, the R-10’s sound, and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. �ߴG�$8oY� �G�+�6��džV&hR�2�r����:}z��BO�q����j*����O@?Z�o%�+��}O���~�Hق:���*3�H| The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. See Audio/Video tab below for sound samples and mic comparisons. Brass records naturally on an R-10, as bright as the musician plays but without the added sizzle or harshness commonly experienced when condenser mics are used on brass instruments. Frequency Response 18 Warranty 19 2. The R-10’s built-in windscreen provides superior protection from air blasts and plosives. << /Length 12 0 R /Type /XObject /Subtype /Image /Width 345 /Height 1015 /Interpolate ���~��7��HuE�tQ���v~�����P\��Bw�{��3�䖭'�Uۣ�јv��h���p#�㾝�g�k���w;�9ŋ�DtN��ţ�c��P1����B>�m�›y-��rNJP��S�g?�tڋqE��u��������91���l $��q��kf� 2[;6��=�f���$�;�~ځ�z��Ve�9u���D����!������UV@)�Ր��t ]W��u��Η���I��Ơ���/��#�Ї�f!q����P�d %&'()*456789:CDEFGHIJSTUVWXYZcdefghijstuvwxyz��������������������������������������������������������������������������� Royer R10 or 121? �� � w !1AQaq"2�B���� #3R�br� 6 0 obj Some great vocal performances were recorded on highly EQ’d ribbon mics (Sixpence None the Richer “There She Goes Again” and “Kiss Me” for example). 2 0 obj $4�%�&'()*56789:CDEFGHIJSTUVWXYZcdefghijstuvwxyz�������������������������������������������������������������������������� C For more information on the R-series transducer design, see https://www.youtube.com/watch?v=B-KaSiYYcDU. Your Browser does not support the new HTML5 Audio-Tag, sorry! << /Length 5 0 R /Filter /FlateDecode >> Try experimenting with cutting bass at 100 Hz and opening up 12K by 3 to 6 dB (or more!). Introduction Congratulations on your purchase of a Royer Labs Model R-10 ribbon microphone. ���� JFIF � � �� �Exif MM * > F( �i N � � � � Y� � �� 8Photoshop 3.0 8BIM 8BIM% ��ُ �� ���B~�� �Y" �� << /ProcSet [ /PDF /Text /ImageB /ImageC /ImageI ] /ColorSpace << /Cs1 7 0 R 9��T��������Fb��~����~xh*��s���i�卖�2%�Z��T���*/�ZiP����%�7e��W�0�H?�\��-���o$�R\�B�?�S�H�u It also reduces proximity effect (bass buildup from close miking) so guitar cabinets and acoustic instruments can be close-miked with less bass buildup. “Airing out” the recorded track by opening up a bit of 12K with an EQ often gives surprisingly good results. endobj >> :߷��\��u8�p?��r}M?j��~�-��+?��+l�eƧj�զA�k5�"�d�T�����O��V��&��]ZBN1׿�G�>����������gh��� }Uw��� '�?6�rFq�� ���� Z���5xQI>�w�r~��?��s��G������8|#��x�������������?��� �_^�Ͼ�&���^d u^;c�8�p>�Z��S�� ���c�M�����q��ӿ_Z�Vk�J�S��~�43�Y���� If you want more bite in the highs but don’t want to multi-mic (particularly on live stages where blending microphones can create phase-related problems), the R-10 takes EQ beautifully and we suggest experimenting with your favorite EQ unit or plugin. The ribbon transducer is wired for humbucking to reject electromagnetically induced noise. Royer's Patented Offset Ribbon Technology. • High SPL capabilities for electric guitar, brass and other close miking applications, • Multi-layered wind screen provides superior protection to ribbon element, • Internally shock-mounted ribbon transducer gives increased durability, • Passive design and custom transformer minimize high SPL overload, • Hum-bucking transducer design delivers extremely low residual noise, • Ribbon element not affected by heat or humidity, • Absence of high-frequency peaks, “ringing” and phase shifts, • Equal sensitivity from front or back of the element, • Close miking in the studio and on live stages, • Drum overheads, kick drum (see manual for position), room miking, Pro Sound News - Review: Royer R-10 Ribbon Microphone, Front Of House - Royer Labs R-10 Ribbon Microphone, Sound On Sound Magazine - Royer Labs R-10 ribbon Microphone, Recording Magazine - Royer R-10 - An exclusive first look at Royer's remarkably affordable new ribbon mic, © 2020 Royer Labs • 2711 Empire Ave., Burbank CA, 91504 • 818.847.0121, Acoustic Operating Principle: Electrodynamic pressure gradient, Generating Element: 2.5-micron aluminum ribbon, Frequency Response: 30Hz-15,000Hz +/- 3dB, Recommended Load Impedance: 700 Ohms (or greater), Output Connector: Male XLR 3-pin (Pin 2 Hot), Dimensions: Length including mounting base: 5 7/8 inches (149 mm) Width 1 3/8 inches (35 mm), Shipping Weight: Single: 2.5 lbs, Matched Pair: 4 lbs, Accessories: Microphone Holder, Mic Sock, Carrying Case, Microphone: Adjustable Swivel Mount (Black), Microphone Warranty: Five Year, First Re-ribbon free in first year, Recording on the back of the R-series microphone. �� C �� �� ? /Cs2 9 0 R >> /Font << /TT2 10 0 R /TT1 8 0 R >> /XObject << /Im1 11 0 R >>

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